Wrockin’ and Recordin’ – Interface Time!!

Our last installment helped cover a number of PC-based software packages you can use to help craft and create your awesome new music (be it wizard rock OR muggle). However, once you finished reading that installment and checking out some of the linked programs, you may have been wondering “But Russ, how do we get our music INTO our computers???” Aha! Great question! And since you asked so nicely… this column will talk about how to get it there!

While up to now, we’ve been focusing in on PC-based software and setups, almost all of the recording equipment we’ll be covering here can be used on both a PC and a Mac, so all you Steve Jobs fans can rejoice and read along. There are a number of different options, so let’s take a look, beginning with using what everyone has installed stock on their computer.

LINE/MIC INPUTS – Every computer nowadays usually has 2 inputs – a mic level input, and a line input, usually located on the side of a laptop or around the back of a desktop right on the soundcard next to the “speaker out” jack. These inputs take 1/8″ plugs, which usually mean you’ll need an adapter if you have a microphone you want to plug in and use to record. A better option would be to use a small mixer of sorts, perhaps like this Behringer mixer, which will give you much more control over the volume level and tone control of the sound being recorded to your computer. You can plug in a microphone, keyboard, or even a guitar to a small mixer, set the volume levels and EQ, and then use a cable to go from either an output jack, or even the headphone jack on the mixer, and go into your soundcard. On the down side, many soundcards weren’t designed for heavy use when it comes to recording, and the quality/level you get can easily be surpassed with another option.

USB MICROPHONE – Over the past 2 years, microphones that can directly be plugged into your computer’s USB port have really gone down in price, and up in quality with the boom in home music recording (and podcasting as well). There are plenty of musicians who have successfully used a headset microphone designed for computer use to record music, and if it works for you, keep it up! If you don’t have a microphone and don’t plan on ever needing to record more than one music source at a time, a USB mic might be a *great* investment for you.

One of the big plusses to using a USB microphone is that you can get a condenser microphone which sounds great on a number of sources; a condenser mic traditionally needs to have an external power source to operate as it has a much better sensitivity level than hand-held microphones (also known as dynamic mics) and that power is supplied via your USB connection. Some popular USB microphones include the Blue Snowball, the Audio-Technica USB 2020, and the CAD U37. Many of these can be purchased at any local music store, online, and used via eBay.

USB or FIREWIRE INTERFACE – If you’re looking to record a whole band at once, or you perhaps want to use more than one microphone at a time when recording (drums, for example) then an interface that hooks up to your computer through the USB or Firewire ports is the perfect option for you. There’s a wide range of interfaces available, and can cost anywhere from $50 through $2,000-plus!!! An interface will give you multiple input plugs for your microphones, many allow you to use both powered and non-powered microphones at the same time, and a number also have MIDI connections built in if you use a MIDI-enabled keyboard. Popular interfaces include the Tascam US-122, the Presonus Firepod, the Lexicon Alpha, and the M-Box Mini.

Another great option for an interface is the Line 6 line of POD Studios; not only can you plug in a microphone to record vocals, piano, wind instruments, tambourine, etc they come with built-in software to record electric guitar and bass. A big bonus there is you can record a wall of distorted guitars at 10pm in complete silence, and without even owning an amp. Ahhhh technology. Just plug in a guitar, choose from a wide range of different virtual guitar amplifiers to pick the sound you like, and prepare to get rockin’ like Dokken.

Hopefully these options will give you a good idea as to what’s available to help you create and record your music. And honestly, if all you have at your disposal is the built-in microphone on your laptop, then by all means use it! Experiment with how it sounds with you standing close to it, far away from it, how your instruments sound recorded at different volume levels or even in different rooms in your house… the goal is to have fun and be creative with whatever’s at hand.

(NOTE – links to any online music gear merchants are provided for information purposes only; no endorsement of the stores is meant or implied)

11 responses to “Wrockin’ and Recordin’ – Interface Time!!”

  1. Christie Avatar

    These columns are awesome. Thank you!

  2. LunasCeiling Avatar

    Excellent article! I definitely second the recommendation of the Lexicon interface (We us a Lambda at Plimpie’s Rest Studio on all Luna’s Ceiling projects). A nice plus is that it ships with the excellent Pantheon VST plug-in, one of the best digital reverbs at any price. If you need more inputs, you can get the Omega instead of the Alpha or the Lambda.

    I’m not a huge fan of USB mics (although I see the appeal on several fronts, and the condenser versions have gotten REALLY good!). I like what the interface’s mic preamps do with my Sterling condenser, and I’ve never heard a VST-based emulator that really equals an actual mic preamp. I’d suggest some side-by-side comparisons at local music shops, for those wrockers for whom that’s feasible.

    Again, fantastic article!

    David/LC

  3. Amy Avatar

    Ye’re livin’ in the paast maaaaan! Macs are the way to the fuuutuuure! Rhaaaddd! <3

  4. Russ Avatar

    @David – any Lexicon reverb is a good one! 🙂 A future article will touch in on some of the more decent freeware reverbs and other plugins available online.

    @Amy – Yup, just finished playin’ some games on my Intellivision before I wrote this article! Macs are fantastic, but not everyone has $1000+ to spend, when a $399 PC-based laptop gives a huge amount of power and value.

    @all – if anyone else has good gear recommendations, by all means, please share!! These articles are to help give pointers, and I welcome everyone’s input if they have some good experiences to share that will help make music creation more fun for everyone.

  5. Alex Avatar

    Thank you very much for writing another great article Russ. Your articles are very insightful and allow me to experiment with audio software, revise my recording techniques and consider purchasing a condenser mic. I’d enjoy reading an article about songwriting, instrumentation or the combining of songwriting, instrumentation and production/recording to make a ‘full’ sounding song.

    Thanks again,
    Alex from TWW.

  6. Russ Avatar

    Thanks Alex! The idea of an article about songwriting came up, and to be honest I’ve shied away from it because of all the aspects of creating songs, that is the most personal and varied of them all. I think every person has their own unique approach to songs, and there’s really no good way to discuss various methods. It’s a heck of a lot easier to say “Oh here’s how EQ works, here’s why removing portions of EQ is better than boosting” than to say “Write lyrics in THIS format, write THIS chord progression, and whammo there’s your song”, know what I mean?

  7. Kevin Avatar
    Kevin

    Great article!
    Being a Linux fanboy, I’d like to say that there’s a bunch of really good audio software (plus 100 or so plug-ins) on Linux that’s very powerful and doesn’t cost you a penny/cent! 😉 People may think it’s hard to use but it’s just like on any other platform these days. I’m using “Ubuntu Studio” (an OS that’s specifically designed for audio and video production) for a good four months now and love it.

    The only advice on gear I have is to know what you get before you buy it. I learned that from experience… 😛

  8. Amy Avatar

    I would be one of those people who doesn’t have that to spend… who waited until the price fell, found someone who works for apple and got the discount XD

  9. Russ Avatar

    @Kevin – I’m a huge Ubuntu fan myself, but didn’t have many good experiences with Ardour, mostly because the ASIO drivers just didn’t want to play nice with my interface. That being said, I’m ALL for people who are comfortable with trying out Linux to give it a shot!

  10. Alex Avatar

    Very valid viewpoint on writing a songwriting article Russ, but I’m glad you thought it through more than I had. 🙂 I completely understand what your getting at now. Good work on previous articles, good luck on future ones.

    Thanks again,
    Alex from TWW.

  11. WizardRockDA Avatar

    I just want to add that USB and Firewire recording interfaces often come with their own built-in external sound cards, which will often be better than the sound card in your computer (assuming you don’t have a computer that was customized for the best sound recording options.)

    I have an HP Pavillion dv8000 with the basic sound card it came with. But even when I record using my MIDI controller, or even simply work on manipulating sound data, I always keep my M-Audio Jam Lab hooked up to computer so I can make use of the JamLab’s built in ASIO-compatible sound card (whereas the built in sound card, is apparently NOT ASIO compatible).

    That said, I would not recommend the JamLab to anyone unless you absolutely can’t afford an interface with at least one XLR input as well a 1/4″. I use an impedance-matching XLR to 1/4″ adapter plug (at Russ’s suggestion!) to hook my mic up to the JamLab, but I’m still not sure the sound quality is quite as good as you would get with an interface that includes an XLR jack. The JamLab may make for a cheap easy way to get started, but its utter lack of versatility can get frustrating at times.

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